There is always a bird. Out there. Waiting. Patiently. For you.
In the gallery
London is always a treat, and every time I end up at the Barbican Center, in the art gallery. The building is architectonically amazing, and especially the art gallery is in itself an exhibition of lines, shadows and strange bends.
Unfortunately it is not permitted to take photos inside … even if you just want to take them of the gallery, not the displays (which of course are protected by copyright). But I managed to sneak up my camera and capture this before the attendants came down on me like a ton of bricks.
A night in the countryside
Going from the big city last week, to a substantially smaller one. This photo was captured in Welford, a village situated between Northampton and Leicester in the English countryside.
This is a rather dark shot, but Welford is actually nice and cosy. We had the pleasure to visit it last summer, when we were on a three weeks narrowboat holiday. Cruising the “Leicester Ring” we took a detour from the main line down Welford arm, and spent a night in the village. Of course, we had to take a closer look, and standing with my back to St. Mary´s Church, this composition, with nearly empty roads, threatening skies, and a gloomy look came up.
Out of the camera, the picture was heavily underexposed, and my first thought was to delete it. But taking a closer look, I still rather liked the scene. Fortunately, I shoot RAW, and in Lightroom I brightened it up a bit, recovered some of the details and desaturated it. Doing so, however, I found the “correct” exposure to kill off the ominous atmosphere. Frankly it became just dull. But, this turned out to be a quite interesting exercise, because I soon realized that by adjusting the exposure down again, I reached a very thin line, separating dullness from the impression I was seeking.
So it deliberately ended up like this, sinister and ill-boding.
Dark inspiration
After some lovely spring days, Oslo woke up to rain and a substantial temperature drop today. The conditions, although not exactly freezing, led my thoughts towards a photo I took last winter.
It had been snowing during the night, and early one morning I arrived at work. Standing at the window looking at the misery, I noticed this scene emerging. It reminded me of a shot, by the brilliant Czech photographer Jan Reich, which I saw in Prague some years ago. I went for my camera, and captured this through the window, without any filters.
Speaking about Jan Reich (1942-2009). I don’t think he is well known outside the Czech Republic, but I had the pleasure watching an exhibition once. He is definitely one of the most outstanding photographers I’ve ever seen. His artistic impression is dark, depressing, sinister. I just love it!
Here are some examples:
Stepping into the light
One evening, being out shooting street photography, I drifted into the National Theatre Railway Station. On the watch for candid situations, I strolled between the main and the west entrances, without finding anything special. Feeling a bit disappointed I turned back, but going down the escalators, I realised that people in front of me transformed into quite interesting objects the moment they stepped onto the platform. So I went up and down again a couple of times, carefully aiming my camera at the transition point.